Confessions – the Autopsy of a Performance is an investigation on the nature of presence on stage, the status of reality in this context and the dynamics of the construct; performer-audience- and the stage that keeps them apart.
What is presence on stage?
How does the manipulation of presence influence the perception of a performance?
Does construction feed falsification?
Looking at acting as a form of non-acting in order to arrive at a distance from the artificiality of performance, only to return to it again from a different perspective.
Looking for harmony between dead energy and live presence, stretching the tension between formalism and naturalism, environment and action.
(c) Georg Schreiber 
(c) Georg Schreiber
(Physical) Images and text lead the spectators into a world where lies are sometimes true and facts unimportant.
In the performance manipulation and speculation give birth to a sincere and curious approach to what live performance is and brings our attention to the absurdity of theater, its nature as a constructed lie, built to be believed in.