Mary Maggic is a nonbinary artist and researcher working within the fuzzy intersections of body and gender politics and capitalist ecological alienations. Since 2015, Maggic frequently uses biohacking as a xeno-feminist practice of care that serves to demystify invisible lines of molecular biopower. After completing their Masters at MIT Media Lab (Design Fiction) in 2017, their project “Open Source Estrogen” was awarded Honorary Mention at the Prix Ars Electronica in Hybrid Arts, and in 2019 they completed a 10-month Fulbright residency in Yogyakarta, Indonesia investigating the relationship between Javanese mysticism and the plastic pollution crisis.
Maggic is a recipient of the 2022 Knight Arts + Tech Fellowship, and their work has exhibited internationally including Kunsthal Charlottenborg (DK), Centre de Cultura Contemporánia de Barcelona (ES), Philadelphia Museum of Art (US), Science Gallery London (UK), Migros Museum of Contemporary Art (CH), Haus der Kulturen der Welt (DE), Jeu de Paume (FR), Museum of Contemporary Art Tuscon (US), Haus der elektronischen Kunst (CH), Institute of Contemporary Arts London (UK), Art Laboratory Berlin (DE), Akbank Sanat (TR), and Jogja National Museum (ID). They are a current member of the online network Hackteria: Open Source Biological Art, the laboratory theater collective Aliens in Green, the Asian feminist collective Mai Ling, as well as a contributor to the radical syllabus project Pirate Care and to the online Cyberfeminism Index.