Anneleen Keppens

wpZimmer resident in 2022

Born in Kortrijk in 1986, Anneleen Keppens graduated from P.A.R.T.S. in 2010. She works as a choreographer, dancer, artistic collaborator and teacher. From these different positions, she creates experiences that place the body at the centre and honour the profoundly communicative and connecting potential of dance as a language.

In 2016 she started a choreographic research project called Transparency in Abstract Dance, which aimed to make the language of dance more accessible by developing compositional keys that allow an audience to unlock and ‘enter’ a dance.

This research was the basis of her first creation, The moon is the moon is the moon. This performance shares the ‘sketches’ that precede the making of a choreography, while seeking a balance between legibility and poetry.

In 2019 Anneleen created the solo Movement Essays. This work consists of three ‘movement essays; On Tempo, On Shape and Multitudes, each of which highlight a fundamental element of abstract dance.

Since 2020 she develops Body Dialogues. Through this practice she aims to revalue the artistic process and cultivate space and time for contemplation. Occasionally a dialogue is shared with an audience, inviting them to step into a process rather than a work of art. 

Currently, Anneleen is preparing Blue Moon Spring, a performance for three dancers on jazz music.

Since 2012 she is a core member of Hiatus, the dance company of Daniel Linehan (US/BE). She is a certified somatic movement educator and taught a class called Poetic Embodiment during the SummerSchool at P.A.R.T.S., at Charleroi Danse and at INSAS amongst others.

projects

The moon is the moon is the moon

By revealing the different building blocks of a dance trio, The moon is the moon is the moon peels away the many layers of choreography. Compare it to the numerous drafts and studies that painters make before they create their painting, how they explore different perspectives and forms in drawings. This dance performance wants to give value to these choreographic ‘studies’ and, in so doing, uncover the many layers within the creative process. The three dancers and composer Gerrit Valckenaers invite you to penetrate the dance and experience it more deeply.

Just like Tibetan monks spend several weeks constructing a sand mandala to then sweep up the coloured grains, as a symbol of the impermanence of material things, this dance is, in a similar way, meticulously constructed in order then to be erased. What remains is the collective experience of the dancers and the audience.

extra info

project year: 2017
Première: 5/10/2017 – CC De Spil (Roeselare)

credits

Concept & choreography: Anneleen Keppens
Creation & dance: Maria Fereirra Silva, Anneleen Keppens, Victor Pérez Armero
Movement assistant: Stanislav Dobák
Music: Gerrit Valckenaers
Light design: Clive Mitchell
Executive production: Caravan production (Brussels)
Residencies: Vooruit (Ghent), STUK (Leuven), wpZimmer (Antwerp), KAAP (Bruges), BUDA (Kortrijk), CC De Spil (Roeselare)
With the support of the province of West-Flanders and the Flemish Government