Katie Vickers

wpZimmer resident in 2019

Katie Vickers is an American artist who lives in Brussels. She is a 2014 graduate of P.A.R.T.S. and 2010 graduate of The Ohio State University. She has danced for and with Daniel Linehan (USA), Martin Nachbar (GE), Benjamin Vandewalle (BE), Vera Tussing (GE), and most recently was a guest artist for the Cullberg Ballet’s production, Figure a Sea, choreographed by Deborah Hay. She has conducted workshops internationally, and spearheaded the Mercersburg Academy Summer Program for Dance and Theatre in the U.S as well as Practicing Performance at The Ohio State University.

https://kosmonautproduction.org/artist/katie-vickers/

projects

Penguins

Albert Quesada: “For this new research called Penguins, not knowing how this endeavour will end up, I want to team up with Katie Vickers and two other dancers. I will propose a subject and basic context, and with the other artists we will dialogue, discuss and discover together. Departing from a simple interest in the endless and rich relationship between movement and music, between dancers and musicians, we will investigate the specific music from the Penguin Cafe and play with ideas between concert and dance performance.”

“Musically, I know what it is to perform Bach, Beethoven, Bizet, Wagner and Ligeti amongst others, and am currently getting used to working with live contemporary musicians and electronics in a small quartet. Researching and dancing with the music of Penguin Cafe will be another step into working with live musicians. However, I have never worked with such a cinematic and popular music as the one from Penguin Cafe. It is a challenge and a privilege to confront my dance practices with their way of playing music, a quest to share a particular listening experience with an audience, and explore the two spaces of theatre and concert hall. In order to continue my performance work, I feel the need to research the role of dance in live music concerts. I’m interested on how orchestras and dance can merge, where dance and the visual display play a major role in concerts.”

credits

Research: Flamingos
By ACME / Albert Quesada & Katie Vickers
Music by the Penguin Cafe (http://penguincafe.com)

We Will Have Had Darker Futures

We Will Have Had Darker Futures attempts to weave together the past, present and future; to ask the present to welcome a desirable future by acknowledging the past, and to mix it all up into a time loop allowing our sense of temporality to be blurred.

We Will Have Had Darker Futures thinks of possible new futures through daydreaming, language, and dance while continually emphasizing the passage of time in the act of collective finger knitting. Playing with our sense of anticipation, We Will Have Had Darker Futures is a short term detachment from our immediate surroundings, a visionary parallel reality that contemplates the bounds between past and present.

credits

Concept, choreography & performance: Katie Vickers, Inga Huld Hákonardóttir and Rebecka Stillman
Light design: Clive Mitchell
Costume design & scenography: Sofie Durnez, Wim Muylaert and Mathilda Perrot
Dramaturgy: Dries Douibi
Production: Kosmonaut
Co-production: DeSingel, MDT Stockholm
With the support of wpZimmer, CC Berchem and de School van Gaasbeek