{"id":11575,"date":"2019-02-04T12:33:00","date_gmt":"2019-02-04T11:33:00","guid":{"rendered":"https:\/\/wpzimmer.be\/projects\/traces\/"},"modified":"2026-09-21T12:39:55","modified_gmt":"2026-09-21T10:39:55","slug":"traces","status":"publish","type":"projects","link":"https:\/\/wpzimmer.be\/nl\/projecten\/traces\/","title":{"rendered":"Traces"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u201cMaybe it is worth running the risks associated with anthropomorphism (superstition, devinization of nature, romanticism) because it, oddly enough, works against anthropocentrism: a chord is stuck between person and a thing, and I am no longer above or outside a nonhuman environment.\u201d &#8211; Jane Bennett, Vibrant Matter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Voor de immersieve voorstelling <em>Traces<\/em> bestudeert de IJslandse choreografe R\u00f3sa \u00d3marsd\u00f3ttir heidense rituelen. Ze is gefascineerd door het idee dat rituelen zoals hekserij en animisme (het concept waarbij ook stenen, planten of andere natuurlijke fenomenen een ziel hebben) een diep respect hebben voor de natuur en zichzelf als een onderdeel van die natuur beschouwen. Ze vindt dat we hoogdringend ons gedrag en onze blik tegenover het milieu moeten wijzigen, zeker nu de klimaatcrisis ons op de hielen zit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00d3marsd\u00f3ttir onderzoekt of en hoe antropomorfe praktijken (waarbij menselijke eigenschappen toegeschreven worden aan dieren, planten of objecten) hun eigen omgeving kunnen be\u00efnvloeden. Ze bouwt daarvoor een decor dat verwijst naar uiteenlopende landschappen. Aan de hand van rituelen probeert ze het decor te \u2018veranderen\u2019. De toeschouwers en dansers bevinden zich in een magisch, dynamisch en steeds wijzigend landschap waarin het na verloop van tijd niet meer duidelijk is of de scenografie de dansers aanstuurt of omgekeerd\u2026<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"550\" src=\"https:\/\/wpzimmer.be\/wp-content\/uploads\/Ro\u0301sa-O\u0301marsdo\u0301ttir-Traces.jpg\" alt=\"\" class=\"wp-image-2715\" srcset=\"https:\/\/wpzimmer.be\/wp-content\/uploads\/Ro\u0301sa-O\u0301marsdo\u0301ttir-Traces.jpg 800w, https:\/\/wpzimmer.be\/wp-content\/uploads\/Ro\u0301sa-O\u0301marsdo\u0301ttir-Traces-150x103.jpg 150w, https:\/\/wpzimmer.be\/wp-content\/uploads\/Ro\u0301sa-O\u0301marsdo\u0301ttir-Traces-300x206.jpg 300w, https:\/\/wpzimmer.be\/wp-content\/uploads\/Ro\u0301sa-O\u0301marsdo\u0301ttir-Traces-768x528.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">credits<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Choreografie: R\u00f3sa \u00d3marsd\u00f3ttir<br>Dansers: Tiran Willemse, Kathryn Vickers, Inga Huld H\u00e1konard\u00f3ttir &amp; Kinga Jaczewska<br>Scenografie: Ragna \u00de\u00f3runn Ragnarsd\u00f3ttir<br>Muziek: Sveinbj\u00f6rn Thorarensen<br>Lichtontwerp &amp; techniek: Michael Janssens<br>Productie: Kunstenwerkplaats Pianofabriek<br>Coproductie: BUDA, Beursschouwburg, wpZimmer, MDT &amp; Avant Garden<br>Met de steun van Reykjav\u00edk Dance Atelier &amp; STUK<br>Met financi\u00eble steun van de Vlaamse Gemeenschap, Nordic Culture Point, Nordisk Kultur Fond, the Vlaamse Gemeenschapscommissie &amp; Reykjav\u00edk Culture Fund<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-11575","projects","type-projects","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Traces - wpZimmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpzimmer.be\/nl\/projecten\/traces\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Traces - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"\u201cMaybe it is worth running the risks associated with anthropomorphism (superstition, devinization of nature, romanticism) because it, oddly enough, works against anthropocentrism: a chord is stuck between person and a thing, and I am no longer above or outside a nonhuman environment.\u201d &#8211; 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