{"id":1943,"date":"2019-02-04T21:09:52","date_gmt":"2019-02-04T21:09:52","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=residencies&p=1943"},"modified":"2019-04-26T08:26:52","modified_gmt":"2019-04-26T08:26:52","slug":"reading-rhyme","status":"publish","type":"residencies","link":"https:\/\/wpzimmer.be\/en\/residencies\/reading-rhyme\/","title":{"rendered":"Reading Rhyme"},"content":{"rendered":"\n

From 2 until 15 March, we welcome Swedish dancer and choreographer Marcus Beldemar in our studio. He will be working on his first solo performance. Reading Rhyme<\/em> is a collaboration with various artists but mainly with set and costume designer Daniel \u00c5kerstr\u00f6m Steen. The performance is a study of Baldemar’s current interest in the representation in\/of text, body and movement in relation to the personal and the political.<\/p>\n\n\n\n

Baldemar on his project: “Reading Rhyme<\/em>\n takes place in a simple setting: one microphone, one body, perhaps some\n music (a nice ambiance to set the mood), perhaps some lightly salted \nchips and non-alcoholic cider. It is a poetry reading. It is a dance \nperformance. The body is a reader. It is also a writer, a dancer, a \ncarrier and courier of multiple stories. The body is often quite one \ndimensional in its physical representation. We are often quite \none-dimensional in our reading of bodies and their physical \nrepresentation. The body, in this case, is mine: white, male and \nhomosexual (of course, there are no such things, they are just leftovers\n from linguistic structures and semantics deriving from history edited \nby lumberjacks and other ‘real’ men) \u2013 however, the written voices I \nwill be transmitting are not mine, at least not from the start. They are\n words and sentences filtered through the genius minds of selected \nothers*.” <\/p>\n\n\n\n

*By others I mean two things: 1. Other than myself. \nIn this case: friends and professionals. 2. The kind of ‘others’ lumber \njacks (ab)use as an excuse for building actual physical borders where \nthere used to be earth, wind and fire (read: women, people of color and \nmore-sexuals).<\/em><\/p>\n","protected":false},"featured_media":1944,"template":"","class_list":["post-1943","residencies","type-residencies","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nReading Rhyme - wpZimmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpzimmer.be\/en\/residencies\/reading-rhyme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reading Rhyme - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"From 2 until 15 March, we welcome Swedish dancer and choreographer Marcus Beldemar in our studio. 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