{"id":11427,"date":"2018-12-13T16:05:00","date_gmt":"2018-12-13T15:05:00","guid":{"rendered":"https:\/\/wpzimmer.be\/?post_type=projects&#038;p=11427"},"modified":"2026-09-09T16:14:36","modified_gmt":"2026-09-09T14:14:36","slug":"voicing-pieces","status":"publish","type":"projects","link":"https:\/\/wpzimmer.be\/en\/projects\/voicing-pieces\/","title":{"rendered":"Voicing Pieces"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Voicing Pieces<\/em> proposes to regard the act of speaking while simultaneously listening to one\u2019s own voice, as a performance. One\u2019s own voice becomes the site of the event. One\u2019s own voice becomes a spectacle, a fascination or a surprise. Isn\u2019t the own voice always inauthentic and uncanny? As the audience listens to their own voice in the frame of a small-size-theater-device, they experience that they have the power to act through their voice, but, more importantly, that their voice acts through them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By creating a categorical and temporal shortcut between one\u2019s own physical action and its perception, and, by undermining the binary differences between active and passive, performer and audience, <em>Voicing Pieces<\/em> proposes a fragmented model of subjectivity, as well as a particular means of participation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas-1024x724.jpg\" alt=\"Begum Erciyas\" class=\"wp-image-670\" srcset=\"https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas-1024x724.jpg 1024w, https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas-150x106.jpg 150w, https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas-300x212.jpg 300w, https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas-768x543.jpg 768w, https:\/\/wpzimmer.be\/wp-content\/uploads\/772f66ff39a522da527d752356f4202a-Begum_Erciyas.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">project dates<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">27-28 August Tanznacht Berlin<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">credits<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Concept: Beg\u00fcm Erciyas<br>Development: Matthias Meppelink and Beg\u00fcm Erciyas<br>Dramaturgy: Marnix Rummens<br>Text: Matthias Meppelink, Beg\u00fcm Erciyas, Jacob Wren<br>Set realization: Tim Vanhentenryk<br>Artistic collaboration: Jean-Baptiste Veyret-Logerias<br>Product management and PR: Barbara Greiner<br>Production: Beg\u00fcm Erciyas, Platform 0090<br>Coproduction: wpZimmer, STUK Tanzfabrik Berlin\/Tanznacht<br>Research support \/ Residency: Kunstencentrum BUDA, Q-02, FrankfurtLAB, Tanzrecherche NRW, Goethe Institut &#8211; Villa Kamogawa<br>Supported by: Hauptstadkulturfonds Berlin<\/p>\n","protected":false},"featured_media":670,"template":"","class_list":["post-11427","projects","type-projects","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Voicing Pieces - wpZimmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpzimmer.be\/en\/projects\/voicing-pieces\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Voicing Pieces - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"Voicing Pieces proposes to regard the act of speaking while simultaneously listening to one\u2019s own voice, as a performance. 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