{"id":688,"date":"2019-01-20T12:37:25","date_gmt":"2019-01-20T12:37:25","guid":{"rendered":"https:\/\/wpzimmer.demonlabs.be\/?post_type=artists&p=688"},"modified":"2019-06-12T16:13:19","modified_gmt":"2019-06-12T14:13:19","slug":"andros-zins-browne","status":"publish","type":"artists","link":"https:\/\/wpzimmer.be\/en\/artists\/andros-zins-browne\/","title":{"rendered":"Andros Zins-Browne"},"content":{"rendered":"\n

Andros Zins-Browne was trained as a dancer and choreographer, but his work gravitates towards the visual arts. He makes dance performances and hybrid environments at the intersection between installation, performance and conceptual dance, performed by a mix of professional dancers and amateurs. They explore the way in which the human body, movement and matter can interact until a certain melting point is reached and the diverse media appear to take on each other’s properties. Zins-Browne bases his work on topical issues. For instance, he has drawn much inspiration from digital culture and its impact on the human body and behaviour, producing science fiction-like performances in which characters move like avatars and real and virtual worlds overlap. In Second Life<\/em> (2008) he studies people’s behaviour in protected environments such as gated and online communities, and in Neverland<\/em> (2008) the body becomes a hologram.<\/p>\n\n\n\n

In more recent work Zins-Browne focuses on the ambiguous relationship between mankind and his environment. In The Host<\/em> (2010) three cowboys hopelessly try to curb an unstable, inflatable landscape, while the performance installation Welcome to the Jungle<\/em> (2012) immerses the audience in a sensory ecosystem, a house of mirrors where subtle shifts in light, sound and smell question our own experience. Simultaneously with the tour of these works, Zins-Browne developed two new dance pieces. In &&&&<\/em> (2012) he investigates with three dancers and six pianos how mutual interaction influences our behavioural patterns. With The Lac of Signs<\/em> (2013), a solo for Chrysa Parkinson, Zins-Browne stages an exploration into movement, meaning and information overload, inspired by the dance classic The Swan Lake \/ Le Lac des Cygnes<\/em>.<\/p>\n\n\n\n

Andros Zins-Browne was born in New York in 1981. He began practicing ballet at an early age at the renowned Joffrey Ballet School. In 2002, after completing a degree in art semiotics at Brown University, he moved to Brussels in order to study at P.A.R.T.S (2002-2006), where he graduated with no less than five creations. He later pursued a research program in fine arts at the Jan van Eyck Academie, Maastricht (2010-2011). As a dancer, he has performed with choreographer Mette Ingvartsen (2009), Jonathan Burrows (2009) and in the work of artist Tino Sehgal for dOCUMENTA 13 in Kassel (2012), among others. Zins-Browne\u2019s own creations, in which he often collaborates with visual artists, have been presented in theatres, museums and on festivals across Europe. At the Impulse festival, D\u00fcsseldorf (DE, 2011), Zins-Browne received the Goethe Institute Award for The Host (2010), and the performance installation Welcome to the Jungle<\/em> (2012) was part of the opening exhibition of the Stedelijk Museum in Amsterdam (2012).<\/p>\n\n\n\n

Between 2006-2015, Zins-Browne has been an associated artist with wpZimmer in Antwerp.<\/p>\n","protected":false},"featured_media":850,"template":"","class_list":["post-688","artists","type-artists","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nAndros Zins-Browne - wpZimmer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wpzimmer.be\/en\/artists\/andros-zins-browne\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andros Zins-Browne - wpZimmer\" \/>\n<meta property=\"og:description\" content=\"Andros Zins-Browne was trained as a dancer and choreographer, but his work gravitates towards the visual arts. 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