{"version":"1.0","provider_name":"wpZimmer","provider_url":"https:\/\/wpzimmer.be\/en\/","author_name":"Merel Van de Gehuchte","author_url":"https:\/\/wpzimmer.be\/en\/author\/carine\/","title":"Marlene Monteiro Freitas - wpZimmer","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"H7gXHDX5tK\"><a href=\"https:\/\/wpzimmer.be\/en\/artists\/marlene-monteiro-freitas\/\">Marlene Monteiro Freitas<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/wpzimmer.be\/en\/artists\/marlene-monteiro-freitas\/embed\/#?secret=H7gXHDX5tK\" width=\"600\" height=\"338\" title=\"&#8220;Marlene Monteiro Freitas&#8221; &#8212; wpZimmer\" data-secret=\"H7gXHDX5tK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/wpzimmer.be\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/wpzimmer.be\/wp-content\/uploads\/Marlene-Monteiro-Freitas-\u00a9-Andreas-Merk.jpg","thumbnail_width":900,"thumbnail_height":600,"description":"Marlene Monteiro Freitas is from Cabo Verde, where she co-founded the Compass dance group, and collaborated with musician Vasco Martins. After dance studies at P.A.R.T.S. in Brussels, and at E.S.D. and Funda\u00e7\u00e3o Calouste Gulbenkian in Lisbon, she developed a project with the Cova da Moura community in Lisbon entitled we will not have dance classes, we will rehearse. Her other dance creations include de marfim e de carne \u2013 as est\u00e1tuas tamb\u00e9m sofrem (2014); Paradise \u2013 private collection (2012-2013); (M)imosa (2011), a project developed with Trajal Harell, Fran\u00e7ois Chaignaud, and Cecila Bengolea; Guintche (2010); A Seriedade do Animal (2009-2010); Uns e Outros (2008); A Improbabilidade da Certeza (2006); Larvar (2006); and Primeira Impress\u00e3o (2005). The common denominator in these works is openness, impurity, and intensity. Marlene Monteiro Freitas has worked with Emmanuelle Huynn, Loic Touz\u00e9, T\u00e2nia Carvalho, and Boris Charmatz, among others."}