Duet for Two String Trios (working title)
Claire Croizé


Duet for Two String Trios (working title)

Duet for two string trios is a coming together of pure dance and music, full of intimacy and lyricism, intense and disruptive, like the times we live in.

This new creation by Claire Croizé is made at the invitation of and together with the renowned Goeyvaerts String Trio, which consists of Fedra Coppens (violin), Kris Matthynssens (viola) and Pieter Stas (cello). Two of Claire’s regular dancers, Emmi Väisänen and Jason Respilieux, add their voices to the composition. Wuorinen’s music, influenced by Stravinsky and related to Schoenberg, takes us into a world that cannot be categorized. This world, complex and confusing as it is, makes the existence of dance possible.

Wuorinen described the first string trio as ‘a work in one movement, with slowly unfolding lines and a surging sense of drama, that becomes increasingly complex’. It is a short (20’) but monumental work, posing a real technical challenge for the musicians, and leaving little room for interpretation, while the second trio offers more freedom. The two pieces share musical material, but the half-century that separates them has transformed this to the point where it is barely recognizable. “Both pieces have a strong dramatic tension, laced with lyrical passages. For me, they are a mirror of our zeitgeist and of my own feelings in this confusing period: between excitement and fear, loss and confusion, memories of the past, and a present without reference points. The intimate form of the string trios, their purity and clarity, immediately attracted me. To guard that intimacy, I am adding only two dancers to the cast. I want to focus on a pure form of dance that matches the character of the music and shares the same questions, textures, intonations and feelings.”

For this, Claire can build on a long experience with contemporary classical music, starting with Chant Eloigné (2012), based on compositions by Schoenberg, Webern and Berg. “The period in which they lived and worked, the early 20th century, was, like our times, turbulent, uncertain and full of major upheavals in terms of aesthetics and society. Wuorinen also builds on this legacy, which to me makes his compositions very contemporary, and interesting to stage for an audience. He did not try to erase the past, but continued to build on it.”

Wuorinen’s compositions are known for their complex musical notation and the virtuosity they require. They demand an intense physical engagement from the musicians, so that vitality and energy radiate from their bodies. In Duet for two string trios, Croizé wants to reflect this virtuosity and exuberant musicality in the complexity of the dance material, the speed of the performance, the beauty and grace of the movements. “Wuorinen did not try to channel his emotions through music, but managed to engage his music to create emotions. Similarly, I want to excite the dancers’ and the audience’s emotional life through the mechanics of the body, abstract movements, technique and virtuosity. My goal, as always, is to create beauty by bringing music and dance together in a delicate equilibrium, where the dance does not simply illustrate the music, but has a voice of its own.”

Claire Croizé

Claire Croizé graduated from P.A.R.T.S. in 2000. Her graduation project, Donne-moi quelque chose qui ne meure pas, was hailed by the French press as one of the discoveries of PARTS@PARIS. She quickly followed with the solo Blowing Up (2002), produced by PACT Zollverein (Essen), and the trio Runway #1 (2003), created for the Off Limits festival.

Claire started working under the support of wpZimmer (Antwerp) in 2005, and premiered at STUK (Leuven) with Affected, an internationally acclaimed performance consisting of three solos for three women on Gustav Mahler’s Kindertotenlieder. This was also the first collaboration with Jan Maertens, her regular light designer. In 2009, she pursued her work on Mahler’s music with The Farewell, which won the prestigious Prix Jardin d’Europe.

After her period at wpZimmer, Claire continued her choreographic work under the wing of Action Scénique and ECCE.


Choreographer: Claire CroizéCreated with and danced by: Emmi Väisänen en Jason RespilieuxMusic: First String Trio (1968) and Second String Trio (2017) by Charles WuorinenMusical Execution: Goeyvaerts Strijktrio (viola: Kris Matthynssens; cello: Pieter Stas; viool: Fedra Coppens)Light design: Hans MeijerCostume Design: Anne-Catherine KunzDramaturgy: Etienne GuilloteauProduction: ECCE vzwCo-production: Concertgebouw Brugge, STUK (Leuven), Kunstencentrum Buda (Kortrijk), CC StrombeekResidency support: wpZimmerSupported by: the Flemish Government