MARS II (2015)
MARS II is a poetic account of the impact of catastrophes on our thinking. These days ecological disasters, economic crises and terrorist attacks seem to be constantly hanging over our heads. In its obsession with risk, modern-day Western society has sometimes been described as a ‘risk society’, largely organized around preventing risk. Does perhaps the human race have a need for stories of catastrophes in rather the same way as a child enjoys a gruesome fairy story? After all, our focus on a specific threat also activates us: the fear of a possible disaster makes us determined to avert it with every possible means. In that respect every apocalyptic scenario, however likely or unlikely, is a sort of secular ‘memento mori’ – a reminder of our mortality.
In this performance Karl Van Welden works with the impact of volcanic ash on the music and performance of pianist Frederik Croene live on stage. At the outset, volcanic ash particles fall gently and harmlessly enough. After a while, the dark volcanic ash rains down exponentially on the musician and his instrument, slowly but surely transforming the sound and image...
MARS II premiered in December 2015 at Vooruit (Ghent). It toured to Le Vivat (Armentières), Kaaistudio's (Brussels), De Brakke Grond / Something Raw (Amsterdam) and Uzès Danse (Uzès). In 2016-2017, it will be presented at DE Studio (Antwerp), TAKT Dommelhof (Neerpelt), De Warande (Turnhout), CC Hasselt (Hasselt), Concertgebouw (Brugge), Gessnerallee (Zürich) and Fierce Festival (Birmingham).
concept, direction, sound, composition: Karl Van Welden – dramaturgy: Bart Capelle – sound, composition, pianist: Frederik Croene – sound, composition, sound engineer: Vincent Malstaf – machinery and realization: Maarten De Vrieze – lighting design: Reynaldo Ramperssad, Jelle Moerman – production: wpZimmer (Antwerp) – co-production: Vooruit (Ghent), Gessnerallee (Zürich), Uzès Danse (Uzès), Le Vivat (Armentières), IN SITU / TAKT Dommelhof (Neerpelt), La Strada (Graz), METROPOLIS (Copenhagen) – with support from: the Flemish Government, LOD muziektheater (Ghent) – thanks to: Piano's Maene
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